Feature Requests

The ability to select multiple films in a scheduled box office report so separate reports don't need to be generated for each, and users don't have to recieve multiple emails. Would be great for sending sales info to Programmers.

Currently the scheduled report only shows how many were sold in the last day. It would be helpful to also show how many sold total vs. sold today vs. overall capacity.

Clemence from Lightyear says: Since exhibitors are eager to have access to numbers and since they are used to the ’theatrical” model of a bi-weekly reporting (They usually request the weekend numbers on Monday and the rest of the week on Friday), we have been creating on Google doc a template that seems to be satisfying to them: I don’t pretend that this is the ultimate solution for an easy reporting but it hopefully will help you in your on-going process of developing a better tool for exhibitors/distributors. XXXCinema 07/17/2020 NET TOTAL $1,365.90 TICKET Price $12 AMOUNT DUE (Venue) $682.95 QTY Sold GROSS REV FEE NET REV DONATIONS ? 50% share Pre-Sales 10 $120 $25.80 $94.20 $47.10 July 17-19 90 $1,080 $232.20 $847.80 $423.90 July 20-23 7 $84 $18.06 $65.94 $32.97 Total week 1 $1,164 $250.26 $913.74 $456.87 July 24-26 38 $456 $98.04 $357.96 $178.98 July 27-30 $0 $0.00 $0.00 $0.00 Total week 2 38 $456 $98.04 $357.96 $178.98 July 31-Aug 2 $0 $0.00 $0.00 $0.00 Aug 3 -August 6 $0 $0.00 $0.00 $0.00 Total week 3 0 $0 $0.00 $0.00 $0.00 August 7-9 $0 $0.00 $0.00 $0.00 August 10-13 $0 $0.00 $0.00 $0.00 Total week 4 0 $0 $0.00 $0.00 $0.00 Aug 14-16 $0 $0.00 $0.00 $0.00 Aug 17-20 $0 $0.00 $0.00 $0.00 Total week 5 0 $0 $0.00 $0.00 $0.00 Another source of inspiration for you would be to look at a Comscore report.

Please add a column to this view with quantity/amount issued per pass type.

It would be great to be able to set up automatic exports of reports (such as sending deposit information to accounting)

Ability to assign a filmmaker or distributor to a film then track/report on the number of minutes streamed from their collective content by filmmaker or distributor, and ideally associated revenue from passes/tickets/subscription. So royalties can be tracked and distributed to filmmakers over a time period.